Fowler_Grant3 Fowler_Grant1 Fowler_Grant2
Full Name: Grant Fowler
Series Name: Hot Line
Nationality: American
Organization: Presidential Agent
Occupation Agent

Creator: Paul Richards
Time Span: 1970 - 1973


Grant Fowler is an agent for the American President.

A roustabout for much of his adult life, Fowler has held many jobs prior to being hired by the President, including being a barker at a carnival. His greatest love seems to have been flying, although the number of accidents he has had would make you wonder.

While in his late 30's, Fowler was involved in a disastrous airlift of needed food and medicine to Biafra. Though this noble gesture nearly cost him his life, it did bring him to the attention, apparently, of the President and eventually the job as one of the several Special Agents who work directly for and answer on to the Chief Executive..

Fowler is the proverbial blunt instrument. He pounds his way in, around, and finally out again. As the saying goes, if the only tool one has is a hammer, every problem looks like a nail. So it is with Fowler and he approaches each obstacle that way: hit first, hit hard, and repeat until complete.

When we first meet this operative, he comes across as a jerk and then proceeds to make sure that opinion has no chance for improvement. He is overbearing to an exceptional amount and every female he meets of legal age is a target for his libido. When at the end of that first recorded adventure he is beaten and shot and close to death, it really was hard to care which way it goes.

Perhaps he learns his lesson because in the next adventure he is a good deal more personable (i.e., less of an ass). Needing a plausible cover identity to allow for international travel and activity, Fowler is made the head of a chain of resort hotels around the world and is looking to buy into an airline. Though his financial status was changed, however, his brusque, no-nonsense, demanding approach to everything remains. Still, it was an improvement.

By the third and final adventure, he has mellowed enough to be a human that would not be insufferable to be around. He is still a hammer in his approach to problems but at least he is more polite about it.


Number of Books:3
First Appearance:1970
Last Appearance:1973

The listed author, Paul Richards, is a house pseudonym for Award Publishing. The actual authors of the three adventures were young writers getting their start, two of whom had written books in Award's far more popular series, Nick Carter. The fact that two different authors worked on each book probably added to the unevenness of the series.

1 Our Spacecraft Is Missing Our Spacecraft Is Missing
Written by George Snyder, Jon Messmann
Copyright: 1970

Someone is destroying the spacecraft sent into orbit by both the US and the Soviet Union. Each suspects the other and the Soviet Union vows that should anything happen to its next ship, there would be devastating consequences.

2 The President Has Been Kidnapped The President Has Been Kidnapped
Written by Dan Streib, George Snyder
Copyright: 1971

Air Force One is hijacked and flown to a dictatorial Caribbean nation to make it look like an American attack. Unfortunately, the President, thought to be vacationing, was onboard. Grant Fowler must get it back before the President is discovered.

3 Moscow At Noon Is The Target Moscow At Noon Is The Target
Written by Chet Cunningham, Dan Streib
Copyright: 1973

An elite group of former special forces soldiers has banded together as the Brigadiers and have staged startling audacious robberies in several Iron Curtain nations. Moscow vows that if the Brigadiers were to strike again, there would be war.


As I indicated in the section above, the series is terribly uneven. Fowler starts out as a near-total jerk who isn't fun to follow at all. Then in the next book he is a good agent that has many redeeming qualities and has lost the chip on his shoulder. The third and last book is very good and Fowler is someone you could almost like.

This series does show the danger that comes with a stable of writers working on character, especially a brand new one. In many cases, the series was created by one person who has either written a "bible" to follow or, better yet, written the first book(s) as a starting point, with the other authors following the blueprint. In the Grant Fowler case, it is obvious that neither happened. There was no founding author nor, it would seem, was there a good blueprint other than "here's an agent. Do agenty things with him."

I do not blame any of the authors, all of whom were learning their craft and probably just following orders. That doesn't help the poor reader, though.


My Grade: C


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