Richard Quintain is an agent for the British Secret Service.
At least he is for some of the adventures detailed in the numerous books about him. He is also an operative with counter-intelligence during WWII, assigned to find those spying on the British war effort. And apparently he is also an insurance investigator in one or two books.
Quintain thus is whatever the reader wants him to be. Certainly he was that for the author. The fact that all the books were released around the same short period must have confused the readership some as forty years later it confuses this collector.
Quintain is in his mid-to-late thirties during the Second World War. He is an operative working with the OSS (apparently) specializing in catching enemy spies infiltrating the armed forces. He is with the Navy sailing in a convoy, in France with the resistance, in Italy as the war ends, and undercover in Berlin as the Soviet march in. Like most good operatives, he prefers to work alone but can take part in a team if forced. He holds the rank of Lieutenant-Colonel in Military Intelligence.
Twenty years later, storyline time but released both before and after the other books, Quintain appears to be in his mid-to-late thirties working for the British during the early to mid stages of the Vietnam War. He is also in North Africa going against Russian and Chinese spies. In four of the spy adventures set during this period, Quintain takes his orders from a spymaster named Fenner, a man that Quintain admires greatly, willing to risk his own life to free his boss from Soviet captures in one story. In the last book of this period, Fenner has been replaced with a man that Quintain frankly despises, making taking orders harder than ever.
And at the same time as the modern spy tales, Quintain is also depicted as an insurance investigator handling international cases with ease and daring, taking the assignments lesser men would not dare. He occasionally operates in the States though he never loses his British roots. Whether he is in Europe or North America, acting for insurance companies or as a gumshoe, he still risks his neck battling mobsters, helping damsels in distress, and confounding the police on occasion. In more than one of these tales he is joined by the beautiful and resourceful Julia Wellsley, an operative/secretary who comprises all of the 'associates' in the Richard Quintain Associates investigative agency.
The author of the Quintain books, W. Howard Baker, was for over a decade before he created the versatile operative, an experienced author who had been given the chance to resurrect for print the famous Sexton Blake series which had produced hundreds of dime novels, pulp fiction, and later paperbacks.
Baker was not just the editor, though. He used numerous pennames, including his own name, as he created a large number of the newer version of Blake, making him a modern private eye ala Chandler. While these new adventures were well received, their popularity was short-lived. By the end of the 50’s the Blake period ended.
The author-editor Baker, however, was not done and he came up with a new and interesting replacement to Sexton Blake, the intense man-of-the-world Richard Quintain. Furthermore, he had a nice collection of Blake manuscripts he had penned himself and a need for interesting storylines. The former fed the latter.
With clever reworking and changing of names and places, many of the Blake stories from years before became Quintain tales. It is probable that not all of the books released in the Quintain line were re-worked Blakes but enough were to establish a pattern.
This does not explain away, however, why the huge disparity in timelines and in professions. Just about any author who has written a large number of stories about the same character will make an occasional contradiction. Baker’s use of the same character in different decades and doing different jobs in the same time frame is unique.
Other authors have had their character change. Honey West went from a detective to a spy. Milo March was an insurance investigator who occasionally took a spy gig as part of his practice. David Danning did the same though he worked as a lawyer. And Ed Noon went from being a private eye to being the President’s private eye and back again but at least he was always a private eye.
But Baker did not seem too worried about consistency. If he wanted to write a WWII drama and needed a rugged hero, Quintain was the name. If he wanted a hard-boiled detective to save a moll and crack a skull, Quintain was the name. If he wanted a secret agent working for the government against Commies and other terrors, Quintain was the name. In one book, written when stories of the occult were just getting popular, the author needed a man dedicated to fighting black magic wherever it was practiced and Quintain was the name.
One amusing aspect to what amounted to multiple heroes having the same name is that fact that Baker wrote most of them under his own name but released a couple as W. A. Ballinger and at least two as Bill Rekab. At least he did change somebody’s name.
Note: included in this listing of books is the 0th one, Treason By Truth, written before any of the others. It is here because the character, a spy, is almost indistinguishable from the Richard Quintain character. He goes by the totally different name of Richard Costain.